Although other wood is available upon request, David prefers working with birch as it is locally available and lends itself well to the traditional art of chair-making. David selects each tree himself with an eye not only to the finished product but also to the environmental impact of removing the tree from its ecosystem. A tree is only chosen if it meets the highest of quality standards and if removing it will benefit the surrounding trees by providing more sunlight. Thinning the forest in this way ensures the health and vigor of the remaining trees will be strengthened.
Wood is obtained from logs by splitting (riving) rather than sawing. This process is often performed right in the forest, eliminating the need for heavy machinery as the split pieces can than be carried out by hand. Riving allows pieces to be thinner and lighter while still maintaining their strength and integrity since the grain will run the full length of the piece. The wood is used in its natural “green” state. This means it hasn’t been processed at a mill or run through a kiln to dry it.
Once all the pieces are ready, dry tenons are put into wet mortices. This method exploits the natural shrinking properties of wood. When a dry tenon is inserted into a wet (still green) mortice, the mortice will dry and shrink fit around the tenon for a remarkably strong joint. A tapered tenon is used where the legs join into a solid wood seat which means that use actually tightens the connection.
Seats are hand-woven by David from fibre rush, shaker tape or cane.
Solid wood seats are carved using hand-tools.
A variety of finishes are available though a natural oil finish is recommended. It penetrates the wood for a deeper level of protection while emparting a wonderful sheen to the surface. This highlights the woods natural beauty to its fullest extent. For more information on our finish of choice, check out: http://www.triedandtruewoodfinish.com